Many Fires This Time: We the 100 Million is a poetic docudrama about the 1 in 3 Americans and counting, living in economic insecurity. It follows the journey of poet and activist A Scribe Called Quess? as he connects with fellow activist poets and the communities they represent from Oakland to Chicago to Kentucky to his hometown of New Orleans.

Julia Wallace, a recently divorced woman with a precocious young daughter named Gracie, helps her mother, Shirley, run a family-owned coffee shop in a small town. Logan is the cafe's baker and Kay Ohara runs a nearby pawn shop.

Guy is a man who receives a weekly mission, which is a couple's name, through the "Best Times" application. He has to make the couple have the best time together before one of them pass away in the next 7 day. Every time he appears, he comes with a cold mist. He also has an extraordinary power to make his mission accomplished. The only thing he can't do is tell which one of them will pass away.

The story of the rise and fall of the Baltimore Police Department's Gun Trace Task Force — and the corruption and moral collapse that befell an American city in which the policies of drug prohibition and mass arrest were championed at the expense of actual police work.

Minnie and Quinn were both born in London on New Year’s Day, in the same hospital, one minute apart. Thirty years later — and very different people — they find themselves thrown together again in the same city on New Year’s Eve.

A drama about the growing pains of turning thirty for two longtime friends.

As Daffy Duck visits Bugs Bunny (after being invited) Daffy only watches Bugs' television, until his favorite show "Beat Your Buddy" comes on and the two contestants are Bugs Bunny and Daffy Duck. Then they race to television station QTTV.

Two lovers, an archivist, a shopkeeper and a singer haunt the city, wearing self-fashioned evocative costumes in this third collaboration between Asmaa Jama and Gouled Ahmed, who impersonate some of the characters themselves. Manipulating their own family portraits with coloured pencils, the artists critique colonial practices and traumatic histories through processes of reenactment and reclamation. “We are unseen beings, we are bright afterimages” cries the poetry of Jama, echoing the erasure and resurrection of those on the periphery. Enlightened by some of the great Malian studio photographers, such as Seydou Keïta and Malick Sidibé, we are presented with a spectacular mise-en-scène that conjures a generative ritual of awakening. (Ane Lopez) 　　源自：https://bfmaf.org/programme/slow-shift-except-this-time-nothing-returns-from-the-ashes-the-watchman/